Anzo Riveroler: Difference between revisions
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Anzo Riveroler was a halfling artist in the early 700s FI. He became famous for his meticulous attention to detail and the striking realism with which he captured his subjects. | Anzo Riveroler was a [[ghosewise]] halfling artist in the early 700s FI. He became famous for his meticulous attention to detail and the striking realism with which he captured his subjects. | ||
It is unknown when or where he was born. As a young man, he fought in the [[Third Interregnum]]. When the Interregnum ended, he worked as a traveling painter and sculptor to the Fresian princes. As his renown grew, he came to the attention of the Church. In his later years, under the patronage of [[Odriss Rockheart]], Riveroler began to explore religious themes, ensemble scenes, recurrent imagery, and innovative uses of negative space. His technique and style is best exemplified by the [[Chancelry Anteroom]], a series of interrelated murals and mosaics in the [[Sacellum Chancel]]. | It is unknown when or where he was born. As a young man, he fought in the [[Third Interregnum]]. When the Interregnum ended, he worked as a traveling painter and sculptor to the Fresian princes. As his renown grew, he came to the attention of the Church. In his later years, under the patronage of [[Odriss Rockheart]], Riveroler began to explore religious themes, ensemble scenes, recurrent imagery, and innovative uses of negative space. His technique and style is best exemplified by the [[Chancelry Anteroom]], a series of interrelated murals and mosaics in the [[Sacellum Chancel]]. | ||
Revision as of 04:52, 29 June 2023
Anzo Riveroler was a ghosewise halfling artist in the early 700s FI. He became famous for his meticulous attention to detail and the striking realism with which he captured his subjects.
It is unknown when or where he was born. As a young man, he fought in the Third Interregnum. When the Interregnum ended, he worked as a traveling painter and sculptor to the Fresian princes. As his renown grew, he came to the attention of the Church. In his later years, under the patronage of Odriss Rockheart, Riveroler began to explore religious themes, ensemble scenes, recurrent imagery, and innovative uses of negative space. His technique and style is best exemplified by the Chancelry Anteroom, a series of interrelated murals and mosaics in the Sacellum Chancel.